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DAGOLL DAGOM THIRTY YEARS – 1974-2004
The coming year 2004, DAGOLL DAGOM will
turn thirty years old. During this period, the company has
created 15 shows, most of them are classified within the
MUSICAL THEATRE, and has offered around 5.000 performances
to all types of audiences in Spain, Europe and South America.
At the same time, it has produced four fiction television
comedies that have had great audiences and also edited several
CDs with their show’s soundtracks. DAGOLL DAGOM has
created texts and scores of its shows, and has collaborated
with hundreds of actors, actresses, writers, composers, stage
designers, and a large number of artistic and technical collaborators.
Throughout its history, DAGOLL DAGOM has gained several awards,
some of them very important and well-known like the award
NACIONAL DE TEATRE DE LA GENERALITAT, CREU DE SANT JORDI,
JAUME I, and in repeated occasions the prestigious MAX award
of scenic arts. Since 1987, DAGOLL DAGOM is part of the TRESX3
society, along with the TRICICLE and ANEXA, the society manages
the programming of several theatres in Barcelona such as
Victoria or Poliorama.
During the past years, DAGOLL DAGOM has always maintained its essence
as an independent theatre Company, with an agile and low-costing
structure, and its will to work in a constant-changing situation
has lead the company to do great tours, seasons and performances
all around the Spanish territory and, in several occasions, foreign
countries. The balance of all these different seasons has been
positive and everything leads to foresee that DAGOLL DAGOM will
continue to perform in lots of stages, will seduce larger audiences
and travel many kilometres. However, thirty years remaining successful
on stage is something that doesn’t happen often. Therefore
DAGOLL DAGOM wishes to celebrate its birthday with the production
of an important show, and a special anniversary DVD edition commemorating
the activities of its long history.
A QUALITY POPULAR THEATRE
DAGOLL DAGOM, as you may know, has always
betted for a QUALITY POPULAR THEATRE, without rejecting its
contract with ALL THE AUDIENCE and refusing the minor and
exclusive styles of other companies. It hasn’t quit
its research for new languages – concretely the musical
theatre language - and the transmission of a solidary message
that is looking forward to progress. The company has always
paid special attention to SCHOOL AUDIENCES that have built
one of its beloved work lines: the education of new audiences
and the attraction of younger people to the theatres.
AGAIN, “MAR I CEL” (Sea
and sky)
In the centre of a long story of this independent
company, from the chronological and artistic point for view,
we find the great musical MAR I CEL, based on an Angel Guimerà work
under the same title. DAGOLL DAGOM launched this show with
an enormous success back in 1988, converting it into the
first intent of creation of a new style of musical theatre.
MAR I CEL, along with more than 500 performances made at BARCELONA,
PALMA DE MALLORCA, ZARAGOZA, BILBAO AND MADRID, has been followed
by an audience of over 500.000 people and received the congratulations
of its spectators and the critics. It has also been broadcast,
even several times always in prime time, in Catalan and Spanish
in the main public channels of Catalonia and Spain, and seen by
about 2 million people.
A SCRIPT ALWAYS UP-TO-DATE
MAR I CEL talks about the dramatic love
of a Christian girl and a muslim corsar –expulsed from
Valencia in 1609- in a lost ship in the middle of the Mediterranean
Sea. The intolerance of both communities will make this love
impossible and will eventually force the tragical death of
both main characters that are the symbol of the victims due
to the collision of both cultures. The current conflict between
Islam and Occident brings this topic to a completely up-to-date
story.
The new project, thus, is the biggest event of the DAGOLL DAGOM’S
THIRTY YEARS celebration. It means the re-performing of this emblematic
play, in co-production with the TEATRE NACIONAL DE CATALUNYA, and
the creation of a company that will combine actors that belong
to the first cast of the performance launched in 1988 together
with new actors and actresses of the latest shows.
Therefore the critique to the book will be revised such as the
score, the orchestra and the stage setting and every other element
that is part of this play parallel to the historic present and
the current theatres.
The intention of DAGOLL DAGOM is to offer again the possibility
of enjoying this show that many spectators, without any doubt,
wish to enjoy again. Many young people who didn’t have the
opportunity to watch it the first time will now be able to. Another
thing that has been taken into account to re-produce this play,
is the non-stopping demand of the audience to again watch MAR I
CEL, and the results of a questionnaire by the magazine TEATRAL.NET
in which 93% of the people consulted, were in favour of re-making
this play.
MAR I CEL: will be a show for all audiences. For schools, young
people, old people, families, business people, as well as all cities
world-wide. The story told is universal and the topic remains absolutely
up-to-date. Just don’t miss it.
ARTISTIC PROFILE
MAR i CEL is performed by 20 actors that
interpret 36 different characters. The company is divided
in 8 principal characters and a large crowd of Christians
and pirates, formed by singers, actors, musicians, acrobats
and soloists. Out of all of them, the most important are
the authentic protagonists of a love story that comprehends
the center of the performance, with all of the respective
antagonists. However, MAR i CEL is much more than a simple
love triangle among the two lovers and the future husband
of the Christian protagonist. Therefore, the artistic profile
counts with great voices and great interpretations.
The performance is interpreted with live-music
through an orchestra of 14 musicians, that are distributed
as follows: 6 strings, 5 woodwinds and brass, 2 keyboards,
1 piano and symphonic percussion.
A part from the people that collaborate
in the design of the illumination, sound and stage design
of the performance, the technical group is formed by an intelligent
mixture of the company itself and technicians of the place
were the play is performed. All of them make a group of 14
people working around the stage in order to make the play
possible.
DAGOLL DAGOM – December
2003
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