"We
were looking for a story with an individual drama that
mirrored a collective and social drama; that defined
one way of understanding reality. We were looking for
a story containing the intensity and the simplicity required
to be explained trough the language of musical. We were
looking for a topic close to us, but with a universal
dimension as well. Mar i cel by Angel Guimerà,
opened the doors to this last work, to this last adventure".
Mar i Cel is a play that represents
the clash of two worlds, two irreconcilable
cultures, and it is also a beautiful love
story whose intransigence makes it tragic,
a story of misunderstandings set in the 17th
century that, unfortunately, has countless
parallelisms with the intolerance of the
world where we live.
.....
| OPENING
INFORMATION |
 |
| Cast
(in order of appearance) |
|
| Felipe
III, King of Spain |
|
JUAN
ANTONIO VERGEL |
|
| Margarita
of Austria, the Queen |
|
CARME
CUESTA |
|
| Duque
of Lerma |
|
DANIEL
RAMOS |
|
| Archbishop
Ribera, Patriarch of Antioch |
|
MIQUEL
PERALTA |
|
| Don
Carlos, Viceroy of Valencia |
|
MIQUEL
PERIEL |
|
| Baron
of Denia |
|
FULGENCI
MESTRES |
|
| Saïd |
|
CARLOS
GRAMAJE |
|
| Hassen |
|
JOAN
CROSAS |
|
| Idriss |
|
ISABEL
SORIANO |
|
| Joanot |
|
PEP
CRUZ |
|
| Osman |
|
ÒSCAR
MAS |
|
| Malek |
|
EUGENI
SOLER |
|
| Salam |
|
JUAN
ANTONIO VERGEL |
|
| The
Mute |
|
XAVIER
CALDERER |
|
| Abderrahim |
|
JOAN
TORRES |
|
| Mohamet |
|
EMILI
AMETLLER |
|
| The
Nederlander |
|
FULGENCI
MESTRES |
|
| Idriss
II |
|
JOAN
TORRES |
|
| Blanca |
|
ÀNGELS
GONYALONS |
|
| Maria |
|
ROSER
BATALLA |
|
| Rosa |
|
MARIA
ROSAS |
|
| Carmen |
|
CARME
CUESTA |
|
| Teresa |
|
TERESA
DE LA TORRE |
|
| Montserrat |
|
MUNTSA
RIUS |
|
| Ferran |
|
MIQUEL
PERALTA |
|
| Felip |
|
DANIEL
RAMOS |
|
| Saïd´s
mother |
|
TERESA
DE LA TORRE |
|
| Saïd
child |
|
MUNTSA
RIUS |
|
| Moorish
women |
|
ROSER
BATALLA
MARIA ROSAS
CARME CUESTA |
|
| Saïd´s
father |
|
XAVIER
CALDERER |
|
| Soldiers´ chief |
|
FULGENCI
MESTRES |
|
| Soldiers´ captain |
|
JUAN
ANTONIO VERGEL |
|
| Soldiers |
|
DANIEL
RAMOS
ÒSCAR MAS
EUGENI SOLER
EMILI AMETLLER |
|
| DIRECTION
TEAM |
|
| Drama & adaptation |
|
JOAN
LLUÍS BOZZO
XAVIER BRU DE SALA
ANNA ROSA CISQUELLA
MIQUEL PERIEL |
|
| Promotion & foreign
relationship |
|
ANTONI
COLL |
|
| Sound
design |
|
JORDI
BONET |
|
| Lighting
design |
|
JOHN
WATERHOUSE |
|
| Acrobacy |
|
PERE
JORDI ESPAÑOL |
|
| Characterization |
|
CHASS
LLACH |
|
| Musical
direction |
|
XAVIER
CASADEMUNT |
|
| Scenography & wardrobe |
|
ISIDRE
PRUNÉS
MONTSE AMENÓS |
|
| Text |
|
XAVIER
BRU DE SALA |
|
| Music & orchestration |
|
ALBERT
GUINOVART |
|
| General
coordination |
|
ANNA
ROSA CISQUELLA |
|
| Direction |
|
JOAN
LLUÍS BOZZO |
|
| ORCHESTRA |
|
| Concertino
violin |
|
SANTI
AUBERT |
|
| Violins |
|
ULRIKE
KAESE
GEERT KROSENBRINK
PACO MAS |
|
| Violoncelo |
|
ELISABETH
SERL |
|
| Flute |
|
DAVID
ALBERT |
|
| Oboe |
|
FERRAN
TORRENS |
|
| Trump |
|
XAVIER
COMORERA |
|
| Trombone |
|
ENRIC
MESTRE |
|
| Trompet |
|
ÀLEX
BAIGET |
|
| Percussion |
|
ARTUR
SALA |
|
| Piano |
|
MARINA
RODRÍGUEZ |
|
| Keyboards |
|
JOSEP
M. DURAN
XAVIER CAPELLAS |
|
| Direction |
|
XAVIER
CASADEMUNT |
|
| Collaboration |
|
IBER
MUSICAL, SA |
|
| In
exclusive right from |
|
ROLAND |
|
| Technical
director |
|
VÍCTOR
GONZÁLEZ |
|
| Programming |
|
ALEIX
CANALS
JOSEP M. BORRÀS |
|
| DAGOLL
DAGOM TECHNICAL TEAM |
|
| Lighting
design assistant 1st lighting operator |
|
IGNASI
MORRÓS |
|
| Lighting
assistant |
|
JORDI
GONZÁLEZ |
|
| Sound
design assistant & sound operator |
|
JOAN
M. GALIANO |
|
| 2nd
sound operator |
|
TONI
VILA |
|
| 3rd
sound operator |
|
NANDO
RUEDA |
|
| Stage
machinery chief & ship operator |
|
JORDI
SOROLLA |
|
| Machinist |
|
XAVI
RODON |
|
| Tailor |
|
SÍLVIA
GÓMEZ |
|
| Direction
assistant |
|
TITO
LUCHETTI |
|
| TEATRE
VICTÒRIA TECHNICAL TEAM |
|
| Machinery
chief |
|
AGUSTÍ NAVARRO |
|
| Machinist |
|
FERNANDO
PLAZA |
|
| Electric
chief |
|
ALBERT
M. MELERO |
|
| Electricist
assistant |
|
ÀNGEL
BERNAL |
|
| PRODUCTION |
|
| Executive
production |
|
ANNA
ROSA CISQUELLA
ANTONI COLL |
|
| Production
secretary |
|
GRACIELA
MOMPÓ |
|
| Management |
|
RICARD
ARILLA |
|
| Management |
|
ANEXA,
Espectacles, SA |
|
| Project
financial direction |
|
LLITERAS & CIA,
SRC |
|
| SPECIAL
COLLABORATIONS |
|
| Singing |
|
DOLORS
ALDEA |
|
| Diction |
|
ROSA
ROIG |
|
| Folkloric
advice |
|
ABDERRAHIM
EL AILI |
|
| Ghaphic
design |
|
CASTELLS
I PLANAS (Cardedeu) |
|
| Photographs |
|
PILAR
AYMERICH
JORDI SOTERAS
HANS LABLER |
|
| Video
reporting |
|
NEOVIDEO |
|
| Cameraman |
|
LLORENÇ OLIVERAS |
|
| Realization |
|
MIQUEL ÀNGEL
MARTÍN
LAURA PALMÉS |
|
| Lighting
structures |
|
J.M.
BLANCAFORT
PEP MAGRIÑÁ
MANUEL ENAMORADO
FRANCESC JULIÀ |
|
| Radio
wedge design |
|
TONI
MORENO |
|
| Publicity & promotion |
|
ANNA
ESTEBAN |
|
| Press & public
relationship |
|
VICTÒRIA
SANZ |
|
| SCENOGRAPHY & DRESS
TEAM |
|
| Scenography
assistant |
|
LLORENÇ CORBELLA |
|
| Wardrobe
assistant |
|
CÈSAR
OLIVAR |
|
| Atrezzo |
|
MARSA
AMENÓS
NOEMÍ OLIVAR |
|
| Special
effects |
|
CARLES PÉREZ
MANUEL RUIZ
|
|
| Textile
decoration |
|
ANGELINA
HERRERO |
|
| Painted
decorations |
|
CASTELLS
I PLANAS (Cardedeu) |
|
| Wardrobe
realization |
|
TONI
LANGA |
|
| Ship
making |
|
BAYTON
JESÚS MANUEL PINTO |
|
| Ship
technical direction |
|
JOSÉ LUÍS
TAMAYO |
|
| Scenography & dress
direction |
|
ISIDRE
PRUNÉS
MONTSE AMENÓS |
|
| Scenography
collaborators |
|
XAVIER
AMENÓS
LLUÍS DOT
CARLOS FAISCA
ANTONIO GARCÍA
SIDRU LLOBERA
RAMON MAÑAS
JOAN PONCE
BLAI QUILIS
JORDI BATLLOBERA
MORA |
|
| Dressmakers |
|
PEPE BARRIGA
MARIA CARRASCO
NÚRIA FURIÓ
SÍLVIA GÓMEZ
MAITE LLOP
MARIA MOLINA
CARME OLIVAR
PAQUITA RODRÍGUEZ
ROSA SOLER
|
|
| Spanish
translator |
|
GUILLERMO
RAMOS |
|
| CAST
SUBSTITUTIONS |
|
| Margarita
of Austria, the Queen, moorish woman |
|
NÚRIA
MAMPEL |
|
| Archbishop
Ribera, Patriarch of Antioch, Ferran |
|
XAVIER
RIBERA |
|
| Blanca |
|
CARME
CUESTA |
|
| Saïd´s
mother, Teresa |
|
M.
JOSEP BESSON |
|
| DAGOLL
DAGOM TEAM SUBSTITUTIONS |
|
| 2nd
sound operator |
|
ÒSCAR
MAZA |
|
| Publicity & promotion |
|
MARIA
ROSA PUIG
MARIA DE ANDRÉS |
.....
