- El Mikado (05-06)
- La Perritxola
- POE
- Cacao
- Els Pirates
- Pigmalio
- T'odio amor meu
- Historietes
- Flor de nit
- Mar i Cel (1988)
- Quarteto da Cinque
- El Mikado
- Rep. Antaviana
- Glups!
- Nit de Sant Joan
- Antaviana
- No hablarŽ...
- Nocturn per...
- Yo era tonto...

Els Pirates

Year . 1997
Text . W.S. Gilbert / Xavier Bru de Sala
Music . A. Sullivan / Joan Vives
First performance . 19-10-1997
Place . Teatre Victòria de Barcelona

Cast | Images | Music

The popular Savoy Operas, by Gilbert and Sullivan, written between 1875 and 1896, mark the move from operetta to the musical, and despite the extraordinary development of the latter genre, the works haven’t lost their relevance to the present day. The more well-known works form part of the Anglo-Saxon heritage, and they are constantly performed all over the world, appealing to mass audiences as all great classics. The long-standing popularity of Gilbert and Sullivan is due to a present-dayness which hasn’t been lost with the passing of time.

The musical The Pirates is, along with The Mikado - produced by Dagoll Dagom in 1986 - one of Gilbert and Sullivan’s most repeated successes. From its opening in 1880, it has been considered an all-round model of nonsense theatre, and is closely related to a vein running through Catalan humour; that of pursuing comedy which stands apart from those situations it pokes fun at, a surrealist “avant la lettre” which establishes, through madcap comedy, a reality where all is possible. Anything is possible - from anachronisms, through loopy comedy, the jolly upturning of established values, to the mickey-taking of the very same internal laws of comedy - starting with plot development (although a happy end is always kept) -and a constant search for creativity without limits, where the ridiculous ceases to exist. Heroes are anti-heroes, supporting roles are shoved centre stage, the confrontations and battles kick more dust than anything or anyone else, and love - a misguided caricature - incites more riot on riot.

The rediscovery of the non-transcendental, the desire to have a rip-roaring time whatever the cost, even if means at one’s own expense, doesn’t seem such a damnable thing in this confusing time we live in.

This production won the Spanish General Author’s Society (SGAE) “MAX” award for “Best Musical” of 1998.

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CAST
Frederic (the gallant)
CARLES SABATER
Marta (the girl)
ROSA GALINDO
Ruth (the nursemaid)
ELISENDA RIBAS
Pirate King
CARLOS GRAMAJE
Sea Mariscal
MANEL BARCELÓ
"Cabo"
ÒSCAR MAS
Sam
JORDI FUSALBA
Aulàlia
CARME CUESTA
Caterina
CLARA DEL RUSTE

Isabel

LAURA MEJÍA
Montserrat
FRANCESCA MASCLANS
Pirate & civil
RAFA MÉNDEZ
Pirate & civil
ESTEVE LABARI
Pirate & civil
FERRAN CASTELLS
Pirate & civil
JORDI SOLER "MONDA"
Pirate
DAVID CUSPINERA
Pirate
DENIS DANIEL DE VAILLY
Pirate
CARLES ALEXANDRE
SCENOGRAPHY
LLUC CASTELLS
JOSEP CASTELLS
WARDROBE
ISIDRE PRUNÉS
COREOGRAPHY
MARTA FLUVIÀ
SOUND DESIGN
ÒSCAR MAZA
LIGHT DESIGN
IGNASI MORROS
MAGIC COLLABORATION
SIM SALABIM
IMAGE
ESTUDIO MARISCAL
DIRECTION ASSISTANTS
ANNA ULLIBARRI & MIQUEL PERIEL
DIRECTION
JOAN LLUÍS BOZZO
EXECUTIVE PRODUCTION
ANNA ROSA CISQUELLA
PRODUCTION
DAGOLL DAGOM

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Furtius com gats
Lyrics: W.S. Gilbert
Music: A. Sullivan
Translation: Xavier Bru de Sala
Musical adaptation: Joan Vives
2' 39" (580k)
Edited by PICAP, SL Dip. Legal B-47143-97
Available on CD